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Fibonacci sequence tattoo3/18/2023 ![]() But because the story, which unites pure mathematics with aesthetics, architecture, and painting, is much more interesting, the concrete arguments do not have much power over it. But there are good reasons to believe that all claims are false, as mathematician George Markowsky, of the University of Maine, pointed out in his article “Wrong notions about the proportion of gold” published in the College Mathematics Journal in January 1992. The story is interesting, but … unfortunately, besides the fact that Euclid has solved the problem of dividing the line in his book “The Elements,” there is no other evidence to support the assertions about the Golden Proportion. Then there are three distinct sets of Golden Rectangles: each for the head, body and leg area The height of the man is in golden proportion from the top of his head to his navel, and from his navel to the bottom of his feet. We can draw many lines of rectangles in this figure. Vitruvian man “The Man in Action” by Leonardo Da Vinci. It is said that Leonardo Da Vinci used the Golden Proportion to preserve the proportions of human figures in his paintings – so the proportion of gold reached the pages of Dan Brown’s short story. Inspired by the Greeks, future generations of architects and designed buildings based on this wonderful proportion. The ancient Greeks apparently used the magic of numbers in architecture, a good example being the Pantheon in Athens. Once found this number, the story continues. Just as there is no evidence to support the idea that some stone tablets indicate that the Babylonians knew the concept of P.A. But in this case, there is no evidence to support this claim. The perimeter of the base divided by height gave “2 Pi”, double of 3.14, which could only be verified after 1670 Leibnitz. The height of the pyramid multiplied by one billion is the distance between Earth and the Sun (150 million Km). Math Puzzles’ Oldest Ancestors Took Form on Egyptian Papyrus The pyramid’s secret was written enormously, observing that the aisle of the aisle is centred on the polar star of that era with great precision: 4 minutes of the angle made relative to the “Alpha” star of the Dragon representing the north, and the four angles of the base are directed to the north, east, south and west with the same fairness. Papyrus Ahmes of Egypt offers details of the construction of the Great Pyramid of Gizeh in 4700 BC with proportions according to a “sacred report”. There are also myths about Egyptian pyramids and graves built with Golden Proportion. The Cubists organized an exhibition called “Section d’Or” in Paris in 1912, but the name had no connection with the art exhibited. only as an experimental technique, and not as an intrinsic aesthetic motif. Among them are Paul Serusier, Juan Gris, Giro Severini and Salvador Dali. There are also painters who intentionally used the Golden Proportion. The same is true of Botticelli’s famous painting “Birth of Venus” or in the case of Georges Seurat and his painting “The Parade of a Circus”. Although there is no evidence against this idea, there is no evidence in her favour, so the only reason to believe in this idea is faith itself. There is the myth that Leonardo Da Vinci believed that GOLDEN PROPORTION was the proportion of the height and width of a “perfect” human face and that he had used the Golden Proportion in the realization of the Vitruvian man. For instance, it is considered that the face of Gioconda da Vinci falls into such a rectangle, and at least two such rectangles are found in the construction of the Parthenon of Athens. ![]() This type of rectangle is considered to be particularly aesthetic and as a result, has been and is heavily used in architecture and art. The divine proportion led to the construction of the Golden Rectangle, in which the ratio of the sides equals the number of gold. The applications of the golden number of the report as such are found in the proportion of works in architecture, painting, sculpture, aesthetics, and art in general, which confirms the long-standing interest in this number. People are constantly trying to understand nature and its laws, to feel cosmic rhythms, to understand life more deeply, to achieve harmony with the environment. Probably many of us have already deduced that nature used in its “hazard” mathematical formulas that ultimately created everything that surrounds us. Who did not notice and did not remain pleasantly surprised how much symmetry and order exist in nature? Fibonacci | The mathematical part of a very special number Phi = 1.6 reveals a “divine proportion”, also called “golden number” for its presence in nature, in plants, animals and other forms of life, and also throughout the universe.
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